Showing posts with label hugh-sung. Show all posts
Showing posts with label hugh-sung. Show all posts

Sunday, December 23, 2007

The New PATCO Freedom Card (Finally!!)


After over a year of waiting, the new PATCO Freedom Train Pass smartcard is finally available for general purchase! The steep rise in gas prices last year turned me into an avid PATCO rider. The trains themselves are older models that run just fine, but the fare collection system hasn't aged nearly as well - old-fashioned magnetic swipe cards that frequently get rendered useless by accidental proximity to electronic gadgets (like my Curtis optical ID/entrance card) and antiquated ticket dispensing machines that require you to feed the coins with the care and precision of a skee ball match. Having ridden the uber-efficient train systems in Korea several years ago and envying the way most riders just tapped an open turnstile with smart cards tucked in outer wallet pockets made me wonder time and again why we didn't have a similar system here in the ol' US of A. Well, now that wait finally seems to be over. Cards can be purchased at the Broadway Transportation Center in Camden. The folks there were very helpful and even gave a personal demonstration on how to use the new ticket dispensing machines which can either give you 3-day paper magnet passes, or can be used to 'recharge' your Freedom smart card. I opted for the automatic withdrawal from my debit card, which will recharge the card in $30 increments (or more, if you decide) once the card's balance reaches $5. No more penny arcade ticket machines, no more change dispensers that spit my old dollar bills back out, no more waiting in long queues for 10-ride tickets at the human ticket window (only open at certain hours of the day) - my Freedom card has me actually excited to ride the train now!



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Saturday, December 22, 2007

A Sure-Fire Way to becoming a Millionaire Musician


The other day, during a chamber music rehearsal, some of the students starting talking about one of Curtis' hotshot pianists who is currently enjoying a fantastic international solo career with one of the industry's highest-octane managements. Evidently, this person has an obsession with clothes shopping, buying hats like Amelda Marcos bought shoes, and even racked up an $800 cell phone bill at one point. The kids sighed and pined that it must be nice to have such a career to be able to afford that kind of lifestyle. At this point, my Dave Ramsey-indoctrinated motor-mouth kicked in, pointing out that if this person didn't get a hold of their finances immediately, they would be soon spending their way into fiscal - and professional - oblivion. I can't think of a single music student that doesn't have the starry-eyed dream of winning a major orchestra job, or being picked up by a big management for a superstar solo career, thinking that such a move would be the answer to all their financial dreams forever-and-ever-amen. But with ever increasing numbers on the classical music "supply" end of the chain and diminishing "demands" on the other, winning major jobs and getting major management is becoming more and more akin to winning the mega-million lottery. Even the folks who are enjoying careers in the big orchestras (and i know several) will attest that most of them are up to their eyeballs in debt, and that orchestra life is akin to working in a Dilbert-esque cubicle, with conductors for "bosses" (shudder). On the other hand, few people see the un-glamorous side of touring as a soloist: running like crazy through airports to catch connecting flights (or waiting for delayed ones), dealing with late or missing baggage, holing up in miserable hotels, ordering Chinese food or Chef-Boyardee cans for affordable meals between concerts, wondering how in the world one is supposed to come away with anything after travel expenses, lodging, food, taxes, and management take their bites out of paltry artist fees. Rather than pin all one's hopes and dreams on winning pie-in-the-sky jobs that don't actually pay that much, i proposed to the students that they begin thinking about sound financial principles, like spending less than they earn, staying away from credit cards, and investing 15% of their income into growth financial products like mutual funds. According to Dave Ramsey, the average family income in America today is $40,000 per year. I'm going to borrow one of his financial examples and have a little fun breaking that down into terms an average musician can work with, one that doesn't enjoy a big orchestra job or a major solo (or chamber ensemble) career. $40,000/year breaks down to about $3,333 per month. If i were to offer private lessons at $40 per lesson, i would need to teach 83 lessons per month, or about 20-21 lessons per week - roughly 4-5 lessons a day, and that's leaving my weekends completely free! Even if i were to be more modest with my lesson fee - say, teaching at only $25 per lesson, i would only need to teach 33 lessons per week - the extra 13 lesson load could easily be added onto a Saturday (the most popular teaching day for musicians, btw), or spread out so that weekdays have 5 lessons each and Saturdays would only have to have 8. $40,000 doesn't sound like a lot, i know...but hold on. Let's say i'm really good about staying away from debt and have the discipline to invest 15% of that income into good mutual funds which average a 12% rate of return over the long haul, starting from the age of 20 fresh out of Curtis - i mean, college. 15% of $40,000 is $6,000 per year, or a monthly withdrawal of only $500 ($125 per week, if you want an even smaller breakdown). With the magic of compound interest (and using a cool online compound interest calculator from www.monkeychimp.com), we can see that even if this poor musician never has another student added to his teaching load - even if he never wins that fabled job, or get recognized for his amazing talent by IMG - if he can maintain his investing discipline, by the time this person is ready to retire at age 65, his investment nest egg will be worth $10,111,231.44. Let me repeat that number: Age 65 = $10,111,231.44. Ok, so you know that most musicians tend to hang around and teach way past the age of 65 - average cut off age tends to be 80. At age 80, with no significant career improvement and no increase in teaching fees, this musician will then be worth $55,595,009.88. Let me repeat. $55,595,009.88. No orchestra job, no solo career, no platinum records breaking all sales records. Just a humble teacher, teaching a handful of students each week, being wise with his money and disciplined with his savings and investments. For a more humble look at just making your first million, you would be 46 years old with $1,124,484.47. Yes, i'm really kicking myself for not having known this when i was a 20-year old fresh out of Curtis. But there's no better time to start like the present!



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Thursday, October 04, 2007

Tech Support: Pedal Turning Too Many Pages at a Time


Here's an interesting tech support question that came up while i was getting ready for my rehearsal with Midori yesterday - a friend of mine was inspired to get his own Tablet PC (a Toshiba model, i believe) via eBay and a page turning pedal from PedalPax to put together a digital music reading/annotating system similar to what i have. Upon receiving the used Tablet PC, installing PDF Annotator and waiting for his PedalPax pedal to arrive, he was finding that pressing the hardware button for page turns was advancing 2 or 3 pages at a time. At first i thought it might've been a damaged button on the unit and advised him to disable the page turning function associated with it. After receiving the pedal, however, the multiple page turns continued to be a problem. He was so exasperated that he gave me a call without realizing that i was about to start rehearsing in a few minutes.


At first i was pretty perplexed. A hardware button malfunction might've been one thing, but to have a USB pedal coming up with the same bug? Highly unlikely. Then the answer came to me in a flash - you can adjust the keyboard key delay and repeat speed within Windows (to get to the Keyboard settings, in the Windows XP Tablet PC edition press 'Start' on the Start Menu Bar, select 'Control Panel' - make sure you have the Classic View option set - then click on the 'Keyboard' icon). My friend must've had his delay setting much too early and his repeat rate much too fast. By setting both options towards their opposing values, that would solve the mystery multiple page advances by hardware button or pedal device, since both basically function as alternate keyboard entry devices.


i just called my friend and got confirmation that this solution seems to be working so far (hopefully it won't revert to sudden multiple page turns during the middle of a concert!). Oh, and by the way - he reports that the PedalPax pedal unit tends to be very squeaky underfoot, probably because of the type of material comprising the buttons.


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Setting up a Pianoteq digital piano system with Hugh Sung


Pianist Hugh Sung explains the basics of setting up a digital piano system in this YouTube video using the Pianoteq piano modeling software VST plugin. This is a great primer for musicians who are new to the world of digital instruments, MIDI connections, and the like.


[youtube=http://youtube.com/watch?v=gf1t1qs0yTs]


More Pianoteq videos to be posted here soon.


Wednesday, October 03, 2007

Well, this time i came up even more empty handed in one sense - no autograph, no picture from my conductor rehearsal with violin superstar Midori. This was all i could come up with as a souvenir:



tn_DSC03745.JPG The concerto this time was by Benjamin Britten. To be honest, i wasn't familiar with the work and wasn't all that impressed when i heard Maxim Vengerov's recording (not to blame Vengerov, who plays it wonderfully - i just found the work way too long and overextended thematically). i suppose one evidence of great artistry is its ability to change opinions - once we ran through the piece with Maestro Eschenbach, i found myself falling in love with the piece, all thanks to Midori's exquisite rendition. Suddenly those meandering lines didn't feel nearly so long, and the lush passagework and extended passacaglia of the last movement gave a complete transport to another world.


One curious moment: as i checked in with the personnel office, i met Midori face to face as she was looking for an extra towel and introduced myself as the pianist for the rehearsal. She smiled and said yes, she had already seen me. Hm?


Tuesday, October 02, 2007

Way of the Wikipedia, Part 1


Just got home from an exhausting recording session in Baltimore, but i wanted to post this before i crash for the evening: H now stands for Hugh Sung in the Wikipedia!


For those of you who might not be familiar, www.Wikipedia.org is one of the largest (if not the largest) online encyclopedias on the internet that anyone can contribute to. That being said, one cannot simply write up self-promoting articles and expect them to be left in the Wikipedia repository willy-nilly - that lesson was learned the hard way by yours truly! With the open-source medium comes an amazing crack team of administrative editors and correction "bots" that are virtually instantaneous in their oversight of anything that enters the Wikipedia domain - in fact, if i recall this correctly, approximately 5,000 articles actually get deleted from the Wikipedia each day because of inappropriate or uncompliant content.


I'll get more into the tale of my Wikipedia journey when i'm less starved for sleep, but for now let me extend warm thanks to wiki-admins GoodDamon, Timotab, and especially ArielGold for their patience with me as i stumbled around in wiki-newness!


Saturday, September 29, 2007

Earlier today i had a conductor rehearsal with Maestro Eschenbach and violinist Anne-Sophie Mutter on the Brahms Violin Concerto in preparation for the Philadelphia Orchestra's Opening Night extravaganza for their 2007-2008 concert season. Several Philly Orchestra colleagues' eyebrows went up in puzzlement when they passed me waiting in front of the Maestro's studio - "Why in the world would she need to rehearse that piece? She already knows that one backwards and forwards!" All i could do was shrug my shoulders and smile - what did it matter? i was looking forward to working with one of the world's most renowned classical musicians!


Backwards and forwards indeed! The Brahms sounded nothing short of exquisite under Ms. Mutter's hands. Such power and comfortable command of that fearsome piece! And yet, she managed to find extraordinary moments to weave supple rubatos and highly personal statements that wonderfully complimented the towering artifices of the concerto.


i think Maestro Eschenbach likes to show off my Tablet PC whenever i show up for these conductor rehearsals - he seems to carry such a twinkle in his eye whenever guest artists ogle at my digital music setup, and Ms. Mutter was no exception to that reaction. Best moment during the rehearsal: Ms. Mutter leaning over during the exposition to ask me, "How do you turn the pages?" i replied, "With my left foot!"


We didn't get to go through the entire work, just key spots for tempi and transitions. What was worse, the Maestro and Ms. Mutter were in such a hurry at the end to get back to the main orchestra rehearsal that i didn't get a chance to snag a tourist picture with Ms. Mutter. Oh well...at least she was kind enough to give me her digital autograph...



...and i'll have to settle for this picture as proof of my short, yet extraordinary rehearsal with such a magnificent musician!




Hugh Sung www.hughsung.com http://hughsung.com www.hughsung.com/blog http://hughsung.com Hugh Sung www.hughsung.com http://hughsung.com www.hughsung.com/blog http://hughsung.com/blog



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Thursday, September 27, 2007

A Tasty Compliment


Eric - my finicky-taste-budded 9-year old - told me last night that he thinks i make the best dinners ever! That garnered a hearty hug from me and a huffy pout from my mother-in-law! Wish i could take all the culinary credit, but this is really another feather in the cap for MealtimeMakeover.com, the weekly dinner and grocery planning service that's been a lot of fun for my whole family. The only complaint i have is that portions tend to be a lot bigger than my family of 6 is accustomed to eating. Even with leftovers for lunch, i'm finding that i have to throw away older dishes that don't get consumed fast enough. That quibble aside, it's been nothing short of a culinary adventure for everyone with easy-to-find ingredients and super-simple cooking instructions! Who knew cooking could be this much fun?



Hugh Sung www.hughsung.com http://hughsung.com www.hughsung.com/blog http://hughsung.com Hugh Sung www.hughsung.com http://hughsung.com www.hughsung.com/blog http://hughsung.com/blog




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For many years i've worked on setting psalms and hymn texts to new musical settings for congregational worship. All my arrangements have always been completely copyright-free with no recompense required whatsoever - these have been written with the simple hope that Churches today can find musical material that puts its primary emphasis on the richness of Biblical text and great doctrine in a way that everyday folk can approach. I'm not a composer, so i'm highly self-conscious about making any pretenses in trying to be one given my immense respect for those who have dedicated their artistic lives to honing that craft. Nevertheless, it's a thrill to share this rendition of one of my hymn settings by The Kings Chamber Orchestra, directed by cellist extraordinaire Gerard Le Feuvre! This track will be part of a new album by the orchestra to be released in about 2 months' time. For this recording and similar, seek out the Kings Chamber Orchestra at www.kingschamberorchestra.co.uk.




The almost-17th century text by Philipp Nicolai is as follows:



How Lovely Shines the Morning Star Text by Philipp Nicolai, 1599 Music by Hugh Sung 1. How love-ly shines the Morn-ing Star! The na-tions see and hail a-far The light in Ju-dah shi-ning Thou, Da-vid's Son of Ja-cob's race, My Bride-groom and my King of Grace, For Thee my heart is pin-ing. Low-ly, Ho-ly, Great and glo-rious, Thou vic-tor-ious Prince of grac-es, Fill-ing all the heav'n-ly plac-es. 2. Now rich-ly to my wait-ing heart, O Thou, my God, deign to im-part The grace of love un-dy-ing. In Thy blest bod-y let me be, E'en as the branch is in the tree, Thy life my life sup-ply-ing. Sigh-ing, cry-ing, For the sav-or Of Thy fav-or; Rest-ing nev-er Till I rest in Thee for-ev-er. 3. Thou, might-y Fa-ther, in Thy Son Didst love me ere Thou hadst be-gun This an-cient world's foun-da-tion. Thy Son hath made a friend of me, And when in spi-rit Him I see, I joy in tri-bu-la-tion. What bliss is this! He that liv-eth To me giv-eth Life for-ev-er; Noth-ing me from Him can sev-er.



If you'd like to have a free copy of the PDF with the piano score and lead sheet, please visit http://ccpc-pca.com/303500.php for a list of all my worship song arrangements. You can also download it directly from this link. For a list of my psalm arrangements, please visit http://ccpc-pca.com/303100.php.



Hugh Sung www.hughsung.com http://hughsung.com www.hughsung.com/blog http://hughsung.com Hugh Sung www.hughsung.com http://hughsung.com www.hughsung.com/blog http://hughsung.com/blog



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Wednesday, September 26, 2007

MMT #39: Interview with Saxophonist/Blogger Brian Sacawa





Catch my interview with classical saxophonist and uber-blogger Brian Sacawa, taped immediately after our recital together in Ocean Grove, New Jersey. The fact that Brian is an extraordinary musician is a given - his prolific pursuits ranging from writing a cutting-edge blog on culture and literature (www.SoundsLikeNow.com) to competitive cycling and experimental collaborations gives a fascinating insight into the life of a 21st century renaissance artist.


Hugh Sung www.hughsung.com http://hughsung.com www.hughsung.com/blog http://hughsung.com Hugh Sung www.hughsung.com http://hughsung.com www.hughsung.com/blog http://hughsung.com/blog



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